美术考研：中国美术史花鸟画总结（下篇），背它稳了
<article class="syl-article-base tt-article-content syl-page-article syl-device-pc"><p style="text-align: center;" data-track="1"><span style="letter-spacing: 1px;"><strong><span style="color: #FFFFFF; --tt-darkmode-color: #FFFFFF;"><span style="background-color: #76923C; --tt-darkmode-bgcolor: #76923C;">柠宝们 你们好啊</span></span></strong></span></p><p style="text-align: center;" data-track="2"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">我是含有</span></span></p><p style="text-align: center;" data-track="3"><span style="letter-spacing: 1px;">满满美术维C</span></p><p style="text-align: center;" data-track="4"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">可以提高你考研免疫力的</span></span></p><p style="text-align: center;" data-track="5"><span style="letter-spacing: 1px;"><strong><span style="color: #00B050; --tt-darkmode-color: #00B050;">青柠学姐</span></strong></span></p><div class="pgc-img"><img src="https://p3-sign.toutiaoimg.com/tos-cn-i-qvj2lq49k0/8a90a7f2d1d247b2bda464a49d80bffd~noop.image?_iz=58558&from=article.pc_detail&x-expires=1667977796&x-signature=2oe7arh0o10Ok98lId5R%2BX6DzN8%3D" img_width="1080" img_height="410" image_type="1" mime_type="image/jpeg" web_uri="tos-cn-i-qvj2lq49k0/8a90a7f2d1d247b2bda464a49d80bffd" class="syl-page-img" style="height: auto;"><p class="pgc-img-caption"></p></div><p style="text-align: center;" data-track="6"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">我相信</span></span></p><p style="text-align: center;" data-track="7"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">看我文章的你</span></span></p><p style="text-align: center;" data-track="8"><span style="letter-spacing: 1px;"><strong><span style="color: #FFC000; --tt-darkmode-color: #DCA600;">没有道理不上岸！</span></strong></span></p><p style="text-align: center;" data-track="9"><span style="letter-spacing: 1.5px;"><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;"></span></strong></span></p><p style="text-align:center;" data-track="12" class="syl-page-br syl-page-br-hide"><br></p><div class="pgc-img"><img src="https://p3-sign.toutiaoimg.com/tos-cn-i-qvj2lq49k0/1e6b7240dea449379f5225efad8f0d7c~noop.image?_iz=58558&from=article.pc_detail&x-expires=1667977796&x-signature=URMJXyeIiudg3prj9tlxpFY2ZMw%3D" img_width="828" img_height="756" image_type="1" mime_type="image/jpeg" web_uri="tos-cn-i-qvj2lq49k0/1e6b7240dea449379f5225efad8f0d7c" class="syl-page-img" style="height: auto;"><p class="pgc-img-caption"></p></div><p style="text-align:center;" data-track="13" class="syl-page-br syl-page-br-hide"><br></p><p data-track="14"><span style="letter-spacing: 1.5px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;"></span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">柠宝们，现在是不是还感觉花鸟画内容很多，很难背啊！青柠学姐已经很尽力给大家</span><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FEECAF; --tt-darkmode-bgcolor: #CEBF8E;">挑重点</span></span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">了！今天呢，</span><span style="letter-spacing: 1px;"><strong><span style="color: #D82821; --tt-darkmode-color: #D82821;">花鸟画下篇</span></strong></span>更新了...中篇没背完的同学，先不着急哈，收藏按顺序走起~</p><p data-track="15" class="syl-page-br"><br></p><p style="text-align:center;" data-track="16" class="syl-page-br syl-page-br-hide"><br></p><p style="text-align: center;" data-track="17"><span style="color: #78944B; --tt-darkmode-color: #728D47;"><span style="background-color: #FEF7EC; --tt-darkmode-bgcolor: #C3BDB5;">柒-</span></span><span style="color: #78944B; --tt-darkmode-color: #78944B;">宋代</span></p><p data-track="19" class="syl-page-br"><br></p><p data-track="20"><span style="letter-spacing: 1px;"><strong><span style="color: #F5F5F4; --tt-darkmode-color: #F5F5F4;"><span style="background-color: #0C8918; --tt-darkmode-bgcolor: #0C8918;">前期：</span></span></strong></span></p><p data-track="21"><span style="letter-spacing: 1px;">明代院体花鸟继承了宋代传统，加以变化，多效法宋人，细致描写，忠于客观事实的画风，有的尚能弃其萎靡柔媚之态，构图宏大，饱满而完整，画飞禽走兽颇有生气。</span></p><p data-track="22" class="syl-page-br"><br></p><p data-track="23"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">边景昭</span></span></strong></span></p><p data-track="24"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">从黄荃的工笔写生法，造型简易，用笔坚实有力而趋于粗壮，用墨合理，</span><strong><span style="color: #D82821; --tt-darkmode-color: #D82821;">设色妍丽</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">而沉着，较宋院画清淡些。</span></span></p><p data-track="25" class="syl-page-br"><br></p><p data-track="26"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">吕纪</span></span></strong></span></p><p data-track="27"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">精于</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">花鸟兼作山水人物</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，以黄荃的</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FDE2D8; --tt-darkmode-bgcolor: #CEB8B0;">妍丽工致</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">一派为主调，在边景昭的基础上，笔墨稍稍放肆，在形象与意境的塑造上有独到之处，。从传世作品看，画风有粗细两种面貌，而以工笔设色著称。《</span>桂菊山禽图》</span></p><p data-track="28" class="syl-page-br"><br></p><p data-track="29"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">林良</span></span></strong></span></p><p data-track="30"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">擅长画</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">水墨</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">写意</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，尤善画</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #B6E4FD; --tt-darkmode-bgcolor: #9FC8DD;">鹰</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">。构图气魄宏大，形象气宇轩昂。气氛浓烈，用笔刚健奔放，墨色酣畅淋漓，亦能</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #B6E4FD; --tt-darkmode-bgcolor: #9FC8DD;">工笔重彩。</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">《双鹰图》</span></span></p><p data-track="31" class="syl-page-br"><br></p><p data-track="32"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">孙隆</span></span></strong></span></p><p data-track="33"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">专攻没骨画，远法北宋徐崇嗣之</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">设色没骨</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，近效南宋牧溪之</span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #B6E4FD; --tt-darkmode-bgcolor: #9FC8DD;">水墨写意</span></span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，不事勾勒，纯以彩色在熟绢上写意，生动潇洒，意趣横生，芙蓉游鹅图~</span></span></p><p data-track="34" class="syl-page-br"><br></p><p data-track="35" class="syl-page-br syl-page-br-hide"><br></p><p data-track="36"><span style="letter-spacing: 1px;"><strong><span style="color: #F5F5F4; --tt-darkmode-color: #F5F5F4;"><span style="background-color: #0C8918; --tt-darkmode-bgcolor: #0C8918;">后期：</span></span></strong></span></p><p data-track="37"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">在明代文人化潮流中，写意花鸟画勃兴，文征明的兰竹更多的延续了元人传统，沈周、唐寅已初步开拓了花鸟画，特别是写意花鸟画领域，运用水墨技法描绘花草虫草，笔简意足。明代中叶的陈淳和其后的徐渭把</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">写意花鸟画</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">的发展推向了新的阶段，在画史上并称</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FDE2D8; --tt-darkmode-bgcolor: #CEB8B0;">白阳青藤</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">。</span></span></p><p data-track="38" class="syl-page-br"><br></p><p data-track="39"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">陈淳</span></span></strong></span></p><p data-track="40"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">字道复，号</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">白阳山人</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，兼善诗文、书法。其绘画出于文征明门下，除了擅长融合米友仁和高克恭的</span><span style="color: #E2561B; --tt-darkmode-color: #E2561B;">米氏山水</span>外，尤善于<span style="color: #E2561B; --tt-darkmode-color: #E2561B;">写意花鸟</span>，师法沈周和文徵明。他的写意花鸟造型精当，严于剪裁题材多为士大夫园林中的常见花木，意境安适宁静，笔墨自由如意，草书题诗，配合画意<span style="color: #000000; --tt-darkmode-color: #A3A3A3;">《秋葵图</span>》、<span style="color: #000000; --tt-darkmode-color: #A3A3A3;">《山茶水仙图</span>》。</span></p><p data-track="41"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">他的画面处理常有一花半叶，疏斜历乱之致，造型精研，剪裁选取巧妙有生气。他在花鸟画创作中重视笔情墨意，所画花卉不拘泥于物象细节的精确，往往叶不着枝，花不沾叶，点化皴而又墨彩生动。</span></span></p><p data-track="42" class="syl-page-br"><br></p><p data-track="43"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">徐渭</span></span></strong></span></p><p data-track="44"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">号天池山人，又号</span><strong><span style="color: #374AAE; --tt-darkmode-color: #394DB5;">青藤</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">。为人耿直豁达，才气纵横，修养广博，善于狂草，工诗文，精花鸟。</span></span></p><p data-track="45"><span style="letter-spacing: 1.5px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">1️⃣</span></span><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FDE2D8; --tt-darkmode-bgcolor: #CEB8B0;">轻权势，有傲骨。</span></span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">在艺术创作上尤重个性抒发，明代写意花鸟杰出的代表，把水墨写意花鸟提高到了一个前所未有的水平。</span></p><p data-track="46"><span style="letter-spacing: 1.5px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">2️⃣</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">徐渭塑造的形象，无论花鸟鱼虫或人物山石，都着眼于艺术整体的神采气韵，以一支饱蘸水墨之笔，在生宣纸上运用娴熟的笔法纵情挥写，充分</span><span style="letter-spacing: 1px;"><strong><span style="color: #EF7060; --tt-darkmode-color: #EF7060;">发挥水墨</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">的艺术表现力，真正达到</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">舍形而悦影，不求形似求生韵</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">的境界</span></span></p><p data-track="47"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">3️⃣ </span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">他的作品个性突出，常以</span><span style="letter-spacing: 1px;"><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">狂草般的比法纵情抒写压抑、悲愤、强烈的内心情感，</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">画风</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">激越昂扬，笔墨淋漓</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">。独抒个性有独特的审美情调，</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">《墨葡萄图》</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">上题诗曰，笔底明珠无处卖，闲抛闲掷野藤中，诗书画三者的结合充分展示了其</span><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">怀才不遇的压抑情感</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，极具艺术感染力！</span></span></p><p style="text-align:center;" data-track="48" class="syl-page-br"><br></p><p style="text-align: center;" data-track="49"><span style="color: #78944B; --tt-darkmode-color: #728D47;"><span style="background-color: #FEF7EC; --tt-darkmode-bgcolor: #C3BDB5;">捌-</span></span><span style="color: #78944B; --tt-darkmode-color: #78944B;">清朝</span></p><p data-track="52" class="syl-page-br"><br></p><p data-track="53"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">恽寿平</span></span></strong></span></p><p data-track="54"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">早年的山水多承王时敏、王鉴衣钵，中年后多做花卉，</span><strong><span style="color: #EF7060; --tt-darkmode-color: #EF7060;">力求改变时代宫廷画法</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，去脂粉华丽之态。</span></span></p><p data-track="55"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">他所画的花卉包括</span><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">碧桃、紫牡丹、豆花、牵牛、菊花、腊梅等</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，构图以</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">写生</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">为法。一反院体花鸟的拘谨刻板。</span></span></p><p data-track="56"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">他的花鸟写生极讲形似，他在造型准确的基础上，巧妙运用水和色，恰到好处地在</span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">色中施</span></span><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">水</span></strong>创<strong><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">色染水晕</span></strong>执法，丰富了<strong><u>没骨画法</u></strong>的表现手段，又清润雅致，活泼的感觉《锦石秋花图》</span></p><p data-track="57" class="syl-page-br"><br></p><p data-track="58"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">朱耷</span></span></strong></span></p><p data-track="59"><span style="letter-spacing: 1px;"><strong><span style="color: #EF7060; --tt-darkmode-color: #EF7060;">八大山人</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，继承文化传统，师承石涛梁楷及元人笔墨，</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">推崇徐渭画风</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，也是吴门画派。以及董其昌影响，借古开今，自出性灵，心随笔运，取向不惑。</span></span></p><p data-track="60"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">1️⃣ 花鸟画</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">布局形似</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，以意象为主，在似与不似之间，画面构图大开大合，黑白相映，纵横驰骋，常以一石一鸟、一鱼一草，构成单幅画面，不空不塞，突破时空的界限</span></span></p><p data-track="61"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">2️⃣如画枯木枯枝。岩石苍苔，古朴苍劲，在用墨上施用</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">泼墨</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，以清雅滋润之效果，给人以梦幻般的境界</span></span></p><p data-track="62"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">3️⃣</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">《荷石水禽图轴》</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">疏荷斜挂两只水鸭，意境空灵，用笔用墨变化多端，枯笔皴石和淡墨花鸟，浓淡相间，富有层次，画法自如而意味无穷。</span></span></p><p data-track="63" class="syl-page-br"><br></p><p data-track="64"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;"></span></span><strong><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #CAFFAD; --tt-darkmode-bgcolor: #A7D38F;">石涛</span></span></strong></span></p><p data-track="65"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">继承徐渭等人的</span><span style="color: #000000; --tt-darkmode-color: #000000;"><span style="background-color: #FFEBF0; --tt-darkmode-bgcolor: #C9B9BD;">大写意花鸟传统</span></span><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，并自探灵苗，以天骨开张的魅力表现他对</span><strong><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">生命与自然的热爱</span></u></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">。</span></span></p><p data-track="66"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">花卉，墨竹，无法中有法，直抒性灵，并讲求</span><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">诗情与画意的结合生发</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，开拓了作品的意韵。代表作有《牡丹竹石图》、《墨竹》。</span></span></p><p style="text-align:center;" data-track="67" class="syl-page-br"><br></p><p style="text-align:center;" data-track="68" class="syl-page-br syl-page-br-hide"><br></p><div class="pgc-img"><img src="https://p3-sign.toutiaoimg.com/tos-cn-i-qvj2lq49k0/2c91d7661b4949c6a7b44930865e4aae~noop.image?_iz=58558&from=article.pc_detail&x-expires=1667977796&x-signature=%2BIGF3Hl9JjmRvBA8LoYVCRxdjTc%3D" img_width="828" img_height="731" image_type="1" mime_type="image/jpeg" web_uri="tos-cn-i-qvj2lq49k0/2c91d7661b4949c6a7b44930865e4aae" class="syl-page-img" style="height: auto;"><p class="pgc-img-caption"></p></div><p style="text-align:center;" data-track="69" class="syl-page-br syl-page-br-hide"><br></p><p style="text-align:center;" data-track="70" class="syl-page-br syl-page-br-hide"><br></p><p style="text-align: left;" data-track="71"><span style="letter-spacing: 1px;"><span style="color: #000000; --tt-darkmode-color: #A3A3A3;"> 好了，</span><u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">花鸟画部分我们就整理完了，</span></u><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">如果还是觉得</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">效率低</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">，可以去看青柠学姐的</span><strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">花鸟画带背视频</span></strong><span style="color: #000000; --tt-darkmode-color: #A3A3A3;">哦！</span></span></p></article>
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